The Mysterious Gaze of the Flamingo (2026)

There is a simple beauty to this story and how it is brought to the screen. The Mysterious Gaze of the Flamingo is told from the point of view of a young girl raised in a community of trans/queer sex workers in a remote part of Chile during the AIDS crisis. It explores very heavy issues through the perspective of youth and love. It is a beautiful film that finds joy in the creation of family. 

Chosen family stories are nothing new in queer worlds but they are also not exhaustive. New film maker Céspedes has crafted a new take on this trope that is inspiring and moving. It comes together with its beautiful cast who play a mix of complicated and honest feeling characters. Throughout we are transported to a time and place that evokes so much which has changed but remains relevant to who we are today. Céspedes has made something powerfully surprising in his first film. 

The Mysterious Gaze of the Flamingo

Starring: Tamara Cortés, Matías Catalán

Writer/Director: Diego Céspedes

In the Hand of Dante (2026)

I'm all for big swings. I like it when a film really tries for something bold. But sometimes those swings miss and In the Hand of Dante is a pretty big miss. I admire it for trying but I'm sorry to say it does not land this plane. 

In the Hand of Dante is a mystery mixed with mob film, mixed with historical epic, mixed with romance, and none of it really works. Most of the time you are just reminded of much better films that do what it is trying to do much better. Its attempts at witty, audacious banter feel cringey instead of clever. Its gratuitous violence is missing the sort of playfulness to make it cartoony and missing the sort of gravitas to make it impactful. It is lacking the connectivity to make its two timelines work together to create something bigger than the two halves. 

Again I'll give credit to the cast for trying. No one phones it in here. It is just that what they are working with doesn't give them the chance to shine. There is an overall sense that there is a big, consequantial movie somewhere in this story and this just isn't it.

In the Hand of Dante

Starring: Oscar Isaac, Gal Gadot, Gerard Butler, John Malkovich, Louis Cancelmi, Sabrina Impacciatore, Benjamin Clementine, Martin Scorsese, Al Pacino, Jason Momoa

Director: Julian Schnabel

Writers: Louise Kugelberg, Julian Schnabel

Wasteman (2026)

First time director McMau has shot out of the gate with this impressive and visceral debut that is raw with emotional vulnerability and manages difficult violence without exploiting it. Wasteman keeps its story tight, hits all the necessary beats, and focuses mostly on the interiority of its characters in a way that makes it a powerful gut punch of a film that will leave its audience with a lot of feelings. 

The cast is great and Blyth really shines here but I'm here to talk about Jonsson who has become one of the most exciting young actors to come along in a very long time. Every time I see him in something he not only stands out but he surprises me. Wasteman is a new high for him, giving a complicated and rich performance that really takes it all to the next level. He has become the kind of actor I will be excited to see a movie just because he is in it. 

Wasteman isn't an easy film despite its short runtime and rather straightforward plot. Its focus on people who are complicated at best and often quite despicable, its refusal to sugarcoat the realities of prison life and (at the same time) refusal to exploit that into melodrama, and its attention to the details of its sad story make it a bitter pill but well worth it. 

Wasteman

Starring: David Jonsson, Tom Blyth

Director: Cal McMau

Writers: Hunter Andrews, Eoin Doran

Supergirl (2026)

The makers of Supergirl have done it right. Making a movie about a character that isn’t the top tier of comic book icons (and is *gasp* a woman) can have its challenge in this era when competition is high for butts in cinema seats. But Supergirl is a tight, entertaining movie with a fully realized character that sticks to its story which both entertains and gives audience less familiar with her all they need to know. 

Instead of doing an “origin” story, they instead took the story from a popular recent graphic novel, a story that helped redefine the character in comics to give her more of her own identity. Derivative comic characters (“spin off” characters of other popular ones - in this case Superman) can sometimes feel like copies but the Woman of Tomorrow story line set up Kara as her own person. It also gives in-world opportunities for her origin to be explained in backstory. 

And the story is straight forward but emotionally powerful. Best of all Alcock delivers a truly centred performance that brings the movie to life. It’s relatively short runtime and a strong story featuring a good performance at its centre… that makes for a good movie and Supergirl is a good movie that shouldn’t be slept on. 

Supergirl

Starring: Milly Alcock, Matthias Schoenaerts, Eve Ridley, Jason Momoa, David Krumholtz, Emily Beecham, David Corenswet

Director: Craig Gillespie

Writter: Ana Nogueira

 

Toy Story 5 (2026)

It very much feels like the Toy Story movies are repeating themselves. After the original trilogy which very effectively made the case for a story about kids growing past the influences of their youth and the need to move on, we are now ironically stuck in a pattern of that message being recycled over and over. 5 adds something fresh with a slightly nuanced take on tech's influence on children, but doesn't go any further beyond this point than 4 did. Still Toy Story 5 still have the mojo to be entertaining enough for fans and general audiences alike to have a good time. I'm just not sure it's kept all the mojo for these films to be as iconic as they used to be. 

So while the rather saccharine story of children needing to find connection mixed with the standard they-can't-stay-kids-forever theme played out there were a few things that stood out for me as why Pixar still does Hollywood animated features better than the competitors generally. For one I want to shout out to Cusack who's voice performance truly stood out. She remains a talented actor and her Jesse is one of her most iconic rolls. Here she is not only given a lot to work with but she truly steps up and gives a heart-wrenching turn in what may be her best work yet. It's easy to dismiss voiceover performances but when they are good they can be really good and I'd argue her work here is tremendous. 

I also appreciated that the film didn't just do the easy thing of jumping on the screen-time-is-bad-for-kids bandwagon and tried to present a somewhat more complex presentation of how technology is integrating into children's lives. Sure a major media company has an interest in not telling too negative a tech story but still, it could has just pandered to the suburban moms a bit more and doesn't quite fall into that trap. 

More points to them for finding generally organic ways to fit in the franchise's growing cast of characters. The film centres Jesse even more than before giving Woody and Buzz a more backseat role which is also brave in this age of internet rage at anything that doesn't centre white males. 

So for me Toy Story 5 was a bit of a mixed bag that was mostly enjoyable if still on the rather sleight side. I'd argue 1-3 of this series truly hold up and hold a special place in cinema's canon so perhaps it is just too much to expect that level of film making to continue long term. At least the films haven't yet become intolerably reductive or, worst of all, unenjoyable. This is still a fun movie. It just won't have the hold that previous instalments have managed to.

Toy Story 5

Starring: Tom Hanks, Tim Allen, Joan Cusack, Greta Lee, Conan O'Brien, Tony Hale, Craig Robinson, Shelby Rabara, Scarlett Spears, Mykal-Michelle Harris, Matty Matheson, John Ratzenberger, Wallace Shawn, Blake Clark, Jeff Bergman, Anna Vocino, Annie Potts, Bonnie Hunt, Melissa Villaseñor, John Hopkins, Kristen Schaal, Ernie Hudson, Bad Bunny, Keanu Reeves, Ally Maki, Alan Cumming

Director: Andrew Stanton

Writers: Kenna Harris, Andrew Stanton

Leviticus (2026)

"They want us to be afraid."

This line from the clever and frightening Leviticus captures a concept that queer people know inherently. The heterosexist world wants queer people to be afraid to be themselves and to experience the joy of love and sex as we experience it. This is what is behind the story of Leviticus, where a monster of some sort (which remains ever present but invisible - just like homophobia) is designed to make us terrified of the thing that brings us joy and fulfillment. We are to be constantly in fear. 

Leviticus makes good use of this simple yet brilliant idea to craft a film that is scary, both in moments and in its overall haunting aura, but also moving in how this terror affects the peope it inflicts. Perhaps it is one of the most salient attempts on screen to communicate the way homophobia feels to those who don't personally experience it. 

Unlike some other recent horror films which perhaps stray from their clever conceits to pack in more traditional scary monster movie moments, Leviticus sticks to its script and lets the horror come from its situation instead of from being demonic. There are some "scary" scenes with a jump scare or physical attack, but the film mostly stays away from them or puts them off screen so that we are left with more of an aching sense of dread, wondering when the shoe will drop. The more I reflect on this, the more I see just how much this feels like living gay in a mandatory-straight world. 

Bird and Clausen are wonderful together, both playing the loves and the terrors of the other. And there is a quiet beauty to the ending which finds the way to defeat this horror is to come together, to be together. The very thing this monster is trying to stop us from doing. 

Leviticus 

Starring: Joe Bird, Stacy Clausen, Mia Wasikowska 

Writer/Director: Adrian Chiarella

The Death of Robin Hood (2026)

Sarnoski has made a contemplative Robin Hood movie that is without action set pieces, eschews glorifying righteous violence, and questions our ideas of heroism. This isn't what were used to in a film about famous action heroes. But it is a gorgeous film that is full of weight and power and continues Jackman's recent streak of picking quite interesting projects. 

The marketing has leaned into what this film is. From the outset the film tells us (like the trailers and posters) that Robin Hood isn't a hero. We are given a lot of violence in the first act and most of it is brutal and isn't something we're rooting for. It isn't framed in the way these stories usually frame it with the good guy overcoming the bad guy. It is presented as morally ambiguous and Jackman's character is taking little to no pleasure in it, making it hard for us to 

Then the rest of the move settles into a story of regret and atonement. It asks us to think about how legends are told and how little fact there is behind what we tell ourselves. Much of The Death of Robin Hood is rooted in how we convince ourselves to do the terrible things we do, or to cheer for those terrible things, and then how we must reckon with that. I found this fascinating even when the story took a little too long. The pacing struggled but the film remained powerfully engaging.

Jackman is good here, not overdoing it, but embodying the character well. Overall the cast is strong overcoming the challenges of an action movie with no action, and delivering a story that will give its audience something to sit with. 

The Death of Robin Hood

Starring: Hugh Jackman, Jodie Comer, Faith Delanye, Bill Skarsgård, Murray Bartlett, Noah Jupe

Writer/Director: Michael Sarnoski