Pretty Lethal (2026)

Ballet is a brutal art form that takes an incredible amount of strength and toughness. It is also seen as hyper-feminine which isn't alway  associated with those qualities. The great conceit of this film is drawing those two polarities together and dismantling the myth of their incompatibility. That aspect of the film is truly interesting. But beyond that the film doesn't do much that doesn't feel paint-by-numbers. That doesn't stop it from being a fun watch even if it is a bit on the forgettable side. 

Pretty Lethal is filmed like a John Wick movie, one that leans into the humour and absurdity more than the Ballerina spin off that shares a lot with this film.  Where that film went in a more serious direction, Pretty Lethal keeps things light and breezy. The characters are archetypes and their arcs are rather predictable and expected. Little is going to surprise you watching this film. Again that isn't lethal to the film's enjoyment. Sure it could have risen to something more but it chooses instead to be just what one would expect and to run with that. 

And with that it does what it is trying to do well. It is a showcase for centring women characters into the sort of narrative that we are used to seeing male characters in. It doesn't do any of it any less than the endless plethora of films like this that feature men. Perhaps in that it manages to exceed expectations. It ends up being entertaining and it still manages to make its point about just how tough a ballerina needs to be be. 

Pretty Lethal

Starring: Uma Thurman, Iris Apatow, Lana Condor, Millicent Simmonds, Avantika, Maddie Ziegler

Director: Vicky Jewson

Writer: Kate Freund

Holy Days (2026)

Sometimes a movie is just so darn delightful that you watch it with a smile across your face the whole time. Holy Days is one of those movies, the story of three elderly nuns trying to save themselves and their convent from being sold to a developer all while helping a young boy who has suffered a lot of loss, find his way. So yeah, a big smile with maybe a few moments of sweet tears as well. 

Director Boltt brings a truly lovely energy to her film. The style she uses to tell her story is one that is infused with joy and visual beauty. I found her manner of film making truly brought out the emotions of the story. She also manages to film comedy extremely well which isn't always something many directors are good at. Holy Days had me laughing throughout with its very naturalistic humour that never felt forced or faked. 

The real prize here is seeing Davis, Margolyse, and Weaver play off each other. Each is such a true delight and really makes the most of their characters and story. Young Tamati has incredible screen presence too and is a great foil to his legendary castmates. 

I couldn't recommend Holy Days more. It really is just a joy of a film. 

Holy Days

Starring: Judy Davis, Miriam Margolyes, Elijah Tamati, Jacki Weaver 

Writer/Director: Nat Boltt

Mike & Nick & Nick & Alice (2026)

This movie is a lot of fun. Does it feel like there were corner cut in the screenplay/production? Maybe a bit. There are a lot of really entertaining set pieces. Maybe not all the emotional payoff is earned by the end due to some assumed character development. But overall M&N&N&A is an entertaining film that is worth a watch. 

The film mixes the smart-ass crime genre popularized by Tarantino with time-travel comedy which seems to be becoming its own genre. No it doesn't reach the heights of a Kill Bill or an Everything Everywhere All at Once. It never quite gets enough of a chance to breathe to be either. But as a smaller, more intimate piece it works. Its B-movie leanings (including its budget casting choices) don't take away from the fact that as a story its solid and even ends on a promise of something perhaps even better. For me it was solid enough and showed promise of something greater. 

I'm a big believer in cinemas but also that not every movie is destined for the big screen. I think this is a great example of how a film can work for streaming in a way that it may not have in a movie theatre. The script is smart enough to be satisfying, the cast talented enough to put on a good show, and the story is a strong one, so the whole thing is a really good time. 

Mike & Nick & Nick & Alice

Starring: Vince Vaughn, James Marsden, Eiza González, Keith David, Emily Hampshire, Auturo Castro, Jimmy Tatro, Ben Schwartz, Stephen Root, Dolf Lundgren

Writer/Director: BenDavid Grabinski

I Wish You All the Best (2026)

Perhaps the first mainstream non-binary coming of age film, I Wish You All the Best does follow typical queer film coming of age tropes but manages to do so in a way that doesn't feel tired or rote. Perhaps it is the sincerity which film maker Tommy Dorfman and lead actor Corey Fogelmanis bring to the film. 

The plot isn't surprising. Teen comes out, is thrown out of their home by religious parents, and has to navigate finding themselves with the support of a supportive group of friends and an off the wall art teacher. I know when I describe it I Wish You All the Best sounds cliche but the film's earnestness elevates it and it's hard not to watch without it getting you emotionally. The story might cut a few corners but its focus on the messiness of coming out, of growing up, and figuring things out is refreshing. So many mistakes are made on these journeys and the comfort with that that Dorfman has in telling it makes it feel real. 

Also Fogelmanis is wonderul, giving a really breakout performances as the main character and finding a real human inside the character. So despite some of the limits of the film everyone steps up and makes it a really watchable, really affecting movie.

I Wish You All the Best

Starring: Corey Fogelmanis, Miles Gutierrez-Riley, Lena Dunham, Alexandra Daddario, Cole Sprouse, Amy Landecker, Brian Michael Smith

Writer/Director: Tommy Dorfman 

Project Hail Mary (2026)

Sometimes a movie comes along that is just a simple crowdpleaser yet captures something, just right for the moment and becomes destined to be a classic film loved for the ages. It doesn't necessarily need to be complex or perfect or without flaws. It just needs to be truly entertaining and accessible for almost anyone. Project Hail Mary is that sort of a movie and I'll be surprised if it doesn't become a big hit.  

I could get into why the film's plot cuts some corners and perhaps jumps from set piece to set piece conveniently wrapping each up with a little bow. I could discuss how the film is a little on the emotionally manipulative side. But I'd be a party-pooper so instead I'll just talk about why I enjoyed the film so much regardless of its imperfections. 

Project Hail Mary is an aggressively optimistic movie. As I said, it manages to solve each of its cataclysmic problems, usually rather quickly. Its central character is likeable with a capital LIKE and never lets the immense pressure of the plot bring him down. When you think about it the film's story goes to some very dark places. Very dark. Yet the film doesn't dwell there, instead finding the bright spots in the almost pure darkness and coming out shining. I think this is a big part of the appeal. Perhaps it is the film audiences need in 2026. 

Gosling is a big part of this. He is extremely charming and relatable and just appealing. It is hard to think of another A-lister who could have pulled this off. His charisma carries the film and truly makes it all work. He'll have you at hello and his delivery of the film's relentlessly cheerful humour is the secret sauce that brings Project Hail Mary to life. 

Lord and Miller have made a lot of rather happy movies and find a real joy in their storytelling. This may be a bit of a magnum opus for them, the sort of film that might define who they are as film makers. And that's not something they should be upset about. 

So yeah there were things I could focus on to pick apart about this movie but I just don't want to cause I had a good time and I want to sit with that. Project Hail Mary and its star won me over. 

Project Hail Mary

Starring: Ryan Gosling, Sandra Hüller, Lionel Boyce, Ken Leung, Milana Vayntrub, Priya Kansara, Orion Lee, James Ortiz

Directors: Phil Lord, Christopher Miller

Writer: Drew Goddard

Peaky Blinders: The Immortal Man (2026)

When a TV series continues with a movie, it is best when it can do two things at once, be a satisfying return to the story and characters of the show for the fans, and a stand alone story for newcomers. I've never watched Peaky Blinders so I cannot speak to the former, but on the latter I can say The Immortal Man succeeds. For the uninitiated like me The Immortal Man clearly sets out its premise and who the characters are sufficiently to be able to tell its story and draw us in, offering an engaging wartime gangster story that packs an emotional punch. 

This is a story about reckoning. A man with a past filled with evil is forced to face his ghosts, sometimes quite literally. He has failed himself and many in his life, including a son, and that consequences of that spiral out for him personally, for his larger community, all the way to the fate of a world war. Like most crime stories it is a cautionary tale, the costs of making deals with the devil. So what we're seeing here may not be that new. It is the way the story rolls out that makes it interesting. 

The cast here in one of its strengths. From the returning cast of the series to new additions Barry Keoghan and Rebeccca Ferguson, there is a high quality to the performances here. The story is operatic in its scope and takes many dramatic liberties so to make it work the performances need to be on point. Director Harper brings just the right mix of flare and emotional substance to the story keeping the film rather cinematic for a movie that continues the story of a TV series. 

From what I understand the film continues the series' focus on how the marginalization of populations contributes to the rise in organized crime. A society that doesn't offer anything to huge parts of its population but subjugation is inviting their retaliation. This film's story does that while also drawing the parallel on the personal level, the reckoning of the father and the son he abandons. The Immortal Man gives us the opportunity to wrestle with these struggles while telling its melodramatic story.

Peaky Blinders: The Immortal Man

Starring: Cillian Murphy, Rebecca Ferguson, Tim Roth, Sophie Rundle, Barry Keoghan, Stephen Graham, Packy Lee 

Director: Tom Harper

Writer: Steven Knight

Father Mother Sister Brother (2026)

Father Mother Sister Brother is the sort of film that I loved more and move the longer it went on. It is an anthology film, featuring 3 separate yet related stories set one after the other; Father, Mother, then Sister Brother. Each revolves around "family" and explores the lack of connection within those familial connections. As Father began I was only half into it, but as that reached its conclusion, and we began to move into Mother I began to understand more about what was going on and appreciate the journey. As we finally got to Sister Brother I was enraptured. By the end I wanted to start again. 

Each short in this film is a separate story that does not even imply it is in the same story/universe as the others. But the tales echo each other. The characters have discussions on similar small-talk subjects. They each reference certain objects. But mostly it is the theme of knowing each other in families. The film is both warm in its politeness and cold in how it keeps its characters distant. It is masterful how it balances a lot of the issues with staying close to family. 

Jarmush's films tend to be on the quiet and reflective side and this is no exception. His cast is incredible and delivers the sort of performances needed to go on this journey. The introspection asked of the audience is palpable while the film shows us, like in the famous meme, the tip of the iceberg while implying the large body of ice underneath. It is a masterclass. And it had me bringing up a lot of feelings that I wasn't expecting. Father Mother Sister Brother is unassuming yet powerful. 

Father Mother Sister Brother

Starring: Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Sarah Greene, Indya Moore, Luka Sabbat 

Writer/Director: Jim Jarmush