There is a general perception that period pieces, especially those based on classic works of literature, are slow, stuffy, pondering, and even restrained. I appreciate when film makers attempt adaptations that capture the passion and urgency that the people of the time would have experienced. DeCosta's fiery and bold take on Ibson's Hedda Gobler is stunning and kinetic. It is lush and rollicking throughout, intensely emotional, and a gut punch. She has infused a relentlessness to the story in a way that makes it far more compelling than modern audiences would expect from an adaptation of classic theatre.
At the centre of DeCosta's piece is the outstanding Thompson who is mesmerizing and complex in the title role. She is entirely seductive, grossly manipulative, and ruthlessly sympathetic as she navigates the madness that is her desperation. Hedda throws a party and the course of events spirals so deliciously out of control, while remaining mostly in her control. And she remains completely the master of her domain right up to the end, refusing to capitulate
Thompson isn't alone. Her supporting cast is tremendous, especially Hoss in a stand out role. DeCosta has queered the story, breathing so much life into this tale. Hedda is erotic and every scene is charged. The characters exist in a beautiful space that DeCosta films with an eagerness and vivaciousness that makes Hedda so incredible to watch. And its hard not to watch Thompson. She is a triumph here. Hedda is a film that pulls you in and makes you want more.
Hedda
Starring: Tessa Thompson, Nina Hoss, Imogen Poots, Tom Bateman, Kathryn Hunter
Writer/Director: Nia DeCosta
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