Centered around Jude Law's father character and his inability to make a go of it in America, he brings his American family with him to his home in the UK where he struggles even harder to make anything of himself. The film, set in what appears to be the 80s, focuses on the reliance of masculine direction and the loss of female autonomy as the root of much of the problem. Durkin occasionally uses on the nose references to punctuate his story, such as a sick horse reflecting the state of the family's progress, and a desperate attempt to dig up the dead and buried horse to resurrect the family. Still, Durkin films it all beautifully and creates a film that while slow moving is very watchable.
But The Nest isn't completely bleak. There is a strong sense of hope and redemption or perhaps the readiness to forgive that runs through The Nest. Durkin doesn't appear to be dooming this family to hell. There is a sense they will, together, somehow pull through. Law's character has failed at family in the past, and he's struggling to make it work, but you sense they might succeed.
Law and Coon are both remarkable. So much of a film like this relies on the cast pulling it off and they do. Their chemistry and strong performances make you believe they can be this rocky and still find love. Both do some of the best work. The Nest is a quiet little film for a night of melancholy and reflection.
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